Presents
Presents
orologio Presents en CINEBLOG01. The apparent vertical scratch in celluloid that opens Presents literally opens into a film within the film. When its figure awakens into a woman in a 'real' unreal set, the slapstick satire of structural film begins. It is not the camera that moves, but the whole set, in this first of three material 'investigations' of camera movement. In the second, the camera literally invades the set; a plexiglass sheet in front of the dolly crushes everything in its sight as it zooms through space. Finally, this monster of formalism pushes through the wall of the set and the film cuts to a series of rapidly edited shots as the camera zigzags over lines of force and moving fields of vision in an approximation of the eye in nature. Snow pushes us into acceptance of present moments of vision, but the single drum beat that coincides with each edit in this elegaic section announces each moment of life's irreversible disappearance.
Commento
Simile
- 1989
Самоорганизация биологических систем
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- 2017
Spite Your Face
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- 1995
Надъ озеромъ
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- 2013
HSP: There Is No Escape from the Terrors Of the Mind
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- 1980
The Age of the Earth
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- 2012
Letters to the Dead
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- 1965
춘몽
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- 2004
The Daddy's Meat
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- 1986
Le Défilé
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- 1988
Lolita Separerar
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- 1981
Freak Orlando
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- 2007
Marblehead
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